After watching Collateral, it would be difficult to argue against the opinion that Michael Mann is one of the top directors working today. He enjoys the study of character as much as he does thrills, and the combination of a drama-esque approach and a thrilling story gives Collateral a refreshing sense of originality. I'm not saying I haven't seen better movies (in fact, Collateral's finale is a bit disappointing compared to what is otherwise a stellar film), but it feels like no other.


Much of this is due to the digital cinematography, which I do have some issues with, but in Collateral the benefits easily outweigh the negatives. This is the first movie that really feels like night-time in Los Angeles, presenting the city in a raw, gritty realism that is simultaneously depressing and beautiful.

Tom Cruise and Jami Foxx also make the film worth watching. It's fun because of the basic premise, but for the most part it's really a character film, allowing both actors to display his respective chops. Although I've recognized his potential in the past, Jami Foxx's performance should silence anyone who questions his abilities as a serious dramatic actor. Both Foxx and Cruise could be considered equally guilty in the past of falling back on their naturally charismatic personalities, but not here. Each reveals a new side to his acting capabilities.

I would discuss some of my favorite scenes and exchanges that provide this thriller with a lot of extra depth, but I'd rather not spoil them. However, aside from the tense moments, make sure to listen carefully to the dialogue during the scene in the Jazz club, while also noting the spontaneous soundtrack of the film, not to mention the screenplay's episodic structure. Paying attention to these details, it's obvious Mann is working on another level, despite the fact that this isn't his best work.

Posted August 12, 2004 | link